Maggie Hazen is an LA- and NY-based visual artist and intuitive collaborator working between collage, sculpture, and experimental media. Her work has been exhibited, screened, and performed at the Bronx Museum, Brooklyn Museum, Museum of Tolerance, Granoff Center at Brown University, Pulse Miami Beach as part of Pulse Play, The Boston Young Contemporaries exhibition, and the Center for Photography at the University of California, Riverside as part of Southern California’s Pacific Standard Time, among others.
Public works include Hidden in Plein Site, a billboard about carceral landscapes in the Catskill Mountains, Transmimic, a projection on the Manhattan Bridge, and Of Departed Delineations, a transformative memory commemorating the 1992 LA Riots. Her work has been included in group exhibitions at venues throughout the United States and internationally, including New York, Los Angeles, Washington DC, Korea, Taiwan, Turkey, and Philadelphia.
Hazen has had fellowships, grants, and residencies from Pioneer Works, Brooklyn, NY; AIM Fellowship at the Bronx Museum; Squeaky Wheel Media Arts Center, New York State Council on the Arts/Wave Farm; Lighthouse Works Visual Artist Fellowship; Vermont Studio Center and the Saas-Fee Summer Institute of Art in Switzerland; and many others.
She has taught at the Rhode Island School of Design, NYU, the Stevens Institute of Technology, the Shanghai Institute of Visual Art, and as part of the Bard College Clemente courses in the humanities. She is a visiting artist-in-residence at Bard College in the Studio Arts program. She has studied at Brown University, MIT, and the European Graduate School. She holds a BFA from Biola University in California and an MFA from the Rhode Island School of Design.
